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In an interview in March, Paul Schrader questioned the ongoing usefulness of Slow Cinema. “It had a real interesting moment in the last 10 years, but now the novelty has worn off, and people are not as mesmerized as they were when the slowness was really being used as a new concept of film time,” he said. “It’s a dead end. […] There are still bits of transcendental style. It was a precursor to slow cinema, but it’s not really that slow. A terrific film like Silent Light is closer to transcendental style than slow cinema, but they lump it in […]
