James Franco has been annoying a lot of people, myself included, for a variety of reasons, not least his relentless direction of a shocking number of movies, most quite poorly received: if I’m counting the credits on his IMDB page right, The Disaster Artist is his 16th feature since 2005 — not precisely Fred Olen Ray levels of shoddy productivity, but not that far off either. For easily his most mainstream effort (and, full disclosure, the only one I’ve seen), Franco films the saga of the making of Tommy Wiseau’s infamous cult movie The Room. I’m not much of a so-bad-it’s-good consumer, […]View the rest of this post at the source
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